1. AARON C HARMON
  2. ANDREI EREMIN
  3. BAG RAIDERS
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  6. BODYIMAGE
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  8. ELSA Y ELMAR
  9. HAYWYRE
  10. HERMITUDE
  11. IL:LO
  12. JORDAN REYES
  13. LEWIS DEL MAR
  14. MILD MINDS
  15. MIAMI HORROR
  16. SINEGO
FOUNDED IN 2011, VITALIC NOISE MANAGES THE CAREERS OF MANY MULTI-PLATINUM AND GOLD SELLING GRAMMY, JUNO, ARIA, AND AIR AWARD WINNING ARTISTS WHILE REACHING OVER 5 BILLION STREAMS WITH THEIR PROJECTS AND PERFORMING AT SUCH FESTIVALS AS COACHELLA, CORONA CAPITAL, P’AL NORTE, PRIMAVERA SOUND, ESTEREO PICNIC, BONNAROO, LOLLAPALOOZA, BURNING MAN, LIFE IS BEAUTIFUL, OUTSIDE LANDS, LANEWAY, SPLENDOUR IN THE GRASS, LIGHTNING IN A BOTTLE, SHAMBHALA, RED ROCKS, OSHEAGA, ETC. WHILE ALSO PLACING THEIR CLIENTS MUSIC IN NUMEROUS TV & FILM SYNCHS WITH PORSCHE, AUDI, TACO BELL, KIA, SAMSUNG, THERMAREST, OREO, NEW BALANCE, NETFLIX, HBO, VICE, SHOWTIME, STARZ, EA SPORTS, ROCKSTAR GAMES, BALENCIAGA, ORACLE, AND MORE SHOWS ACROSS NETWORKS


  • _JUSTIN KATERBERG
  • _MAX STERN
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  • _AURELIO ALVAREZ
  • _ROB MUÑOZ



MOVIDA MÚSICA
MOVIDA MÚSICA, OUR LATIN AMERICAN DIVISION BASED OUT OF MEXICO CITY, IS A MULTI-FACETED COMPANY WITH LABEL, ARTISTS SERVICES, TOURING, AND TALENT BUYING ARMS INTENDED ON BUILDING SUSTAINABLE CAREERS IN BOTH CENTRAL AND SOUTH AMERICA FOR ARTISTS FROM AROUND THE WORLD.  MOVIDA WORKS WITH SUCH ARTISTS AS ODESZA, PASSENGER, FLUME, TOVE LO, BICEP, DIPLO, FRANC MOODY, MARIBOU STATE, TYCHO, ALICE GLASS, CARMEN DELEON, BBNO$, YVES TUMOR, ARMIN VAN BUUREN, VACATIONS, LOUD LUXURY, LAST DINOSAURS, PURPLE DISCO MACHINE, BLACK COFFEE, AND MORE.

LOOSE CHANGE


OUR MODERN PUBLISHING COMMUNITY, LOOSE CHANGE HA OFFICES IN BOTH BRISBANE, AUSTRALIA AND LOS ANGELES, USA FOCUSED ON DEVELOPING THE NEXT GENERATION OF SONGWRITERS AND PRODUCERS.  THEIR WRITERS HAVE MULTIPLE #1S WHILE WORKING WITH SUCH ARTISTS AS BLACKBEAR, DIPLO, RAE SREMMURD, KYLE, DOJA CAT, TREVOR DANIEL, ÆSPA, MONSTA X, NCT-127, STRAY KIDS, PARTYNEXTDOOR, MIKE SHINODA, DANIEL CAESAR, STEVE AOKI, MIKE POSNER, LAUV, KIMBRA, FLIGHT FACILITIES, BJ THE CHICAGO KID, CHRISTIAN GATES, AND MANY MORE.


Arcana Mundi —
Economy and Eccentricity

Abstraction & Empirical Illustration

We live our lives made up of a great quantity of isolated instants. So as to be lost at the heart of a multitude of things. (From the Double Dream of Spring, 1970.)



“Profuse strains of unpremeditated art.”
(Shelley)


A rock is a perfect metaphor, an allegory in volume. When placed it’s sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.
  1. Gavrilo Princip’s last grocery list written
  2. The time that alligator ate that fish
  3. When the Yongzheng Emperor found that weird dust bunny under his throne
  4. The great earthquake of Alexandria
  5. The invention of expectation in literature
  6. When the heaviest cacao fruit fell in Takalik Abaj
  7. Animesh eats his first Fly Agaric mushroom

Here the sculptor has made no concessions; no attempts to curry favor with curators or collectors — pieces wholly outside discourse. And if pressed for an affiliate movement for these “sculptures” (i.e. Cubism, Mannerism, etc.)… perhaps Monism or Cosmogonism? Definitely not Conceptualism or Pataphysics — Actualism?
        The analog? Well for sure it is 1:1. Weird; yes — a knot to be admired for it’s curves — not for untying. An emergent surface as thick as it’s mass. 
         Were it possible for the instances of our minds or world events to be mapped and dimensionally materialized, something similar to a rock would appear — areas of smoothness yielding to pockmarked particularities, density shifts and feathered explosions. What really is the shape of a boom town? A pilgrim’s journey? A section of jungle mayhem? A boring era? The silhouette of a father’s cold slap? The contours of a brief, intense friendship? Comfortably we perceive all of these things as ready to be integrated into ledgers or novels or timelines; but really they are queer crags and striations of unimaginable idiosyncrasy.
       So yes, the reflective, reasonable yield of our mind has much symmetry (computation, cataloguing, narrativizing, etc.) but it’s actual shape is no shape, but unfolding chaos and singularity visible only to our particular time-scale. Our species-wide symmetries and quantizations are basically improvisations white-labeled onto directionless infinitude attempting the constant creation of navigable Dimension.
        So, look intimately at a rock, walk around it, get up close to it, savor it’s complexion and composition as you would any painting or temple and see it as the faultless mirror that it is — a truly perfect sculpture.