ARTIST MANAGEMENT + PUBLICITY SERVICES
Vitalic – (a.) Pertaining to life; vital.
Noise – (a.) A sound of any kind
ABOUT: JERRY SOER
Jerry Soer started his music management career in Australia. While living in Melbourne he joined independent music company Staple as an artist manager for almost five years. He moved to Los Angeles and started Vitalic Noise with partner Justin Katerberg in September 2012. His roster includes: Miami Horror, Goldroom, Gold Fields, DCUP, Chela, Grafton Primary. He tweets from @jerrysoer.
ABOUT: JUSTIN KATERBERG
Moving to Los Angeles in the fall of 2011, Justin Katerberg, had spent five previous years in Nashville as an A&R and marketing label executive for numerous multi-platinum selling, Grammy award winning artists. Originally running Vitalic Noise as a boutique management and booking agency for various electronic and disco orientated acts, Justin merged with partner Jerry Soer in September of 2012 to re-launch Vitalic Noise in a management and publicity focused direction. While busy heading the publicity division and day to day tasks for the management side of the company, his personal management roster includes: Viceroy, Gold Fields, Basecamp. He tweets from @vitalicnoise.
ABOUT: NANCY LU
Nancy grew up in Austin, Texas, where she also attended school at The University of Texas at Austin. After receiving her degree in Marketing, Nancy made her way east in a gypsy caravan named Fiona, which unfortunately met an untimely death in Prescott, Arkansas. From there she took a mini plane to Washington, DC where she became immersed in the world of music writing and was elected the mayor of U Street Music Hall. At the end of her term, Nancy decided that her time in DC was also coming to a close, so she picked up her belongings and cupid shuffled her way to New York City. Here she’s taken a bite out of the big apple, among other things – including slaying publicity for Vitalic Noise artists Goldroom, Viceroy, Rufus, Night Drive, and Owl Eyes to name a few. You can usually find her eating snacks around town or on Twitter at @retroglo.
ABOUT: BOJAN JOVANOVIC
After a brief stint as a manager at the age of 18, Bojan Jovanovic started his own booking agency Noise Problem which represented Miami Horror, Neon Indian, The Twelves, and many more. After six years running his own agency he joined The Windish Agency where he worked with Chromatics, Mount Kimbie, Unknown Mortal Orchestra, Big Freedia and many others. Now in 2013 he launched his newest venture, a music social network called FanClub, and returned to management with Vitalic Noise and his roster Sam Flax and Lips. Tweeting from @noiseproblem.
ABOUT: CAROLINE PARKINSON
A defector from both her native Australia and the film industry, Caroline joins Vitalic Noise via federal film funding body Screen Australia and Sydney-based talent and literary management firms, The Cameron Creswell Agency and The Fleming Agency. An avid traveller, before completing her Master of Arts at the University of Melbourne, Caroline spent three years living and working in the UK, Czech Republic, Spain and Portugal.
ABOUT: TEGAN BUTLER
Now calling LA her home after relocating from Melbourne, Australia in April 2013, Tegan has worked in music media across television, print and online. With a background in journalism, Tegan has written and edited for music street press, interviewed major international acts for community and internet television, as well as interned writing for a pop culture website. In between traveling the world, embracing an Instagram addiction and escaping becoming an adult, Tegan joins Vitalic Noise helping the team with a little of everything. She likes to think she can be in charge of social media. Tweets from @teganlbutler.